digital media

Autoethnography and My Diary.

I use my diary as often as I possibly can to jot down moments in time that have made a major impact on me in some shape or form, known as epiphanies (Ellis et al, 2011). From the birth of my nephew to a tough day at work, I describe and reflect on experiences of and interactions with others and the world around me.

I often think of my diary as a time capsule that in which, I can read in the future and understand what once was for myself. It will enable others to explore the way in which I used language to show emotion and thoughts in the written form.

My epiphanies are uniques to myself and you may have some of your own. Ellis et al makes point that people view the world around them differently and I couldn’t agree more.  Ellis states that autoethnography was developed due to scientist wanting focus on developing research based in personal experience, stating “research would sensitise readers to the issues of identity politics, to experiences shrouded in silence and to representation that deepen our capacity to empathise with people who are differently from us” (2011).

In the future, someone or myself could look back at my diary or any diary in general, at the experiences written about to influence the way in which they understand different views of the world then their own.

Checkout this audio piece for a little more of my understanding.





Ellis, C., Adams, T.E., and Bochner, A.P. (2011) ‘Autoethnography: An Overview‘, Forum: Qualitative Social Research, 12:1. Available at:

Corpse Party lets Play: the begining

Linking here to the two other blogs as an error when re-blogging means I’m no longer able to re-blog here.

Corpse Party Part 2

Corpse Party part 3

The Pink Protagonist Writes

Tortured_Souls_characters Original image came from

Ok, so as promised in my video I will write this mini blog with a bit more information about ‘Corpse Party’. My intention is to do a few let’s play videos for this game, with the goal to finish the game. But we will see how we go.

As stated in my video, the game itself has a pretty massive intro that requires a lot of reading. This did mean that my first video is pretty much all intro into the game as it took close to 20 minutes just to do what I did. I have yet to find anyone that has transcribed the whole game. I am sorry for skipping through the text so fast. I will keep digging to see if I find one. OR, if time permits, maybe just write one up myself.

So, Corpse party was first released in 1996…

View original post 440 more words

60 years on and Godzilla is still strong

I’m a 90s baby, I grew up watching Hi-5, The Wiggles (originals) and then grew into more sophisticated films like Mean Girls that truly understood the struggles of growing up in a white privileged society. I’ve grown up in a mostly peaceful time, and the only worries I’ve faced have been “end of the world” scares that never eventuated. As a result, the films I watched growing up were mostly light-hearted fun, adventure filled stories that never showed hard-ships.


Godzilla (1954), image,

I would have never watched Godzilla growing up, and even if I did I would have missed the underlying metaphor behind the film. This is because I’ve never lived in a time where the horror of nuclear war or death of loved ones has ever been a treat to my perfect bubble wrapped life.


As I watched Godzilla, I found it difficult to relate to the characters because I had never experienced anything that made me think about how my life could be affected by this. Also, my experience of films up to this point were American made or American sympathised, therefore the common enemy of those films were Russia, Japan, or Germany that had made up the Axis Powers in World War II. These stereotypes had carried across to my understanding of the world around me, and it was only until I was old enough to experience the world for myself that I found this to be this incorrect.


Therefore, expanding my understanding of International Film is a valuable source to understand how other countries document and make sense of hard-ships they have faced. The Japanese film industry using a nuclear, fire-breathing monster as a metaphor of the destruction the US inflicted upon Japan during the war makes this film more relatable for many different audiences, rather than if it was a more direct portrayal of the event. It ended up becoming a hugely successful formula and as a result, ironically America has released their own Godzilla films.


If you’re interested in a little background reading:

Here’s an article of photos of Hiroshima and Nagasaki then and now from the Guardian 

And a review of Godzilla

English subtitles for Japanese Ghosts

While searching for Japanese ghost videos on YouTube I came across the above show. It seems to be a sort of reality TV show where they get people to watch a series of viral ghost videos and get their reactions. I’m unsure of the name of the show or of its popularity, but it’s existence and over 2 million YouTube views give some evidence to the pervasiveness of the horror genre in Japanese popular culture. 

The Ghost videos are all edited or faked, some significantly better than others, but still give off a creepy vibe followed by a good jump scare. Once the clip has played the show plays an instant replay of the jump scare but still with live footage of the people watching, seeing their horror intensify as they are forced to watch the scare again. 

After watching about 15 minutes of the show and understanding none of the Japanese being spoken I was a bit lost on the purpose or context of the show. I trawled the comments for some sort of insight and saw one user mention Closed Captions. I then realised that YouTube had Closed Captions available for the video, albeit in Japanese. Luckily Google has integrated all of its services so it can instantly translate the Japanese subtitles into plain English for me…
re-watching one of the clips (at 9:40) the only context it gave me was “Damage due to High Crude Oil prices also a profound…” JUMPSCARE! so that didn’t really help my understanding at all. Even further into the video I’m great with this translation

the installed ratattat


Which again gives me no context or understanding. Just an urge to make this


This week I was trying to look at viral Japanese ghost videos as a peripheral media and potentially look at the digital stories they told. Instead I was left struggling with translation and laughing at horrible subtitles, let’s call that a success.

-Nathan Smith


This week when researching a peripheral diapora I came across the famous Korean-Australian YouTuber Jeniffer also known as meejmuse. I found her YouTube channel whilst looking for beauty bloggers, I thought it was interesting that she was Korean-Australian currently living in Korea.

She plays an activity part in both countries/cultures. Not only does she work for Cleo magazine Australia as a beauty ambassador, she is a presenter for Ariring tv’s Korea today morning as a k-stylist. Ariring tv is an international English network based in South Korea that is operated by the Korea International Broadcasting Foundation.

When reading this I had a sudden realisation that Jeniffer in some sense is a peripheral part of two Diasporic groups, one being Australians who live in Korea and the other being Koreans that live in Australia. It was interesting to me that she was living in Korea but was still continuing to do her YouTube videos in English, making her an representative for the Korean-Australian community. It was great to see her embracing both cultures not solely sticking to one.

Jeniffers YouTube channel Meejmuse is not only great for beauty tips, but she has tutorials on how to create Korean looks, once again referring to her Korean heritage.

Videos for the Meejmuse YouTube channel are all filmed and edited in a way that would be described as a digital story. She starts off by filming the makeup tutorial and then adds in a narration of her voice over the top. I believe that by her using this form of digital story telling she is magnifying the voice of the Korean-Australian community giving them a platform.

Lastly whilst looking into Jeniffers other social media accounts I came across her blog where I found one post that was particularly interesting. It was a post about growing up as a Korean-Australian and explained some of the struggles and hurdles that came with being part of two cultures. This blog in itself gave Korean-Australian’s a voice and after reading it gave me a clearer idea of how confusing it must have been for someone to grow up with two identities that resulted from being part of two cultures.

My overall experience in exploring Jeniffers career as a stylist was interesting as I thought it was motivating that she was not only sticking to exploring her Korean side on camera, she was doing something for those Australian-Koreans as well. It was a very inspiring experience when investigating a peripheral diaspora group.


Ones real life identity tends to be irrelevant in the culture of gaming, RPG’s (Role playing video games) such as Final Fantasy, Dungeons and Dragons and WOW allow an individual to portray themselves however they please through their character in the fictional world. Reflect your real life morals or go against them and be someone entirely different – the choice is yours. There are two specific ‘groups’ within this RPG culture, they include WRPG (western) and JRPG (eastern). The western culture RPG’s tend to be more system/rules based with darker realistic graphics, however Eastern RPG’s are generally action/story based with brighter anime-like graphics and intricate plots.



Regardless of their cultural differences, role playing video games are peripheral to the art of cosplay in the fact that the characters/identities portrayed in these games are who cosplaying individuals look toward to influence their costume choice.  A lot of the time, an individual will develop a bond with their online persona and therefore, it becomes easier for them to reflect this persona in their cosplaying over a character they are not familiar with.

An extension of this RPG experience is LARP (live action role play) where a group of individuals dress up and pursue goals within a fictional setting represented by the real world while interacting with each other in character. I see this as like ‘next level’ cosplaying, as they are not only dressing up as the characters, but also choosing to engage themselves in the recreation of the characters identity through role play.

A lot of the time, YouTube is the digital media platform which both RPG and LARPers use to express their voices through recording their live action or video game experiences and uploading them for the public to see, as seen below. In addition to this podcasts are used, one group in particular who use this in addition to their YouTube channel is Rooster Teeth.




Through viewing and comparing both these forms of role play, it is immediately clear how much dedication and passion an individual puts into their characters. To me, the LARP genre actually helps to break down the stigma created by RPGer’s as the second video reveals the multitude of people who actually get involved. The Rooster Teeth video (to be honest I didn’t watch all of it) does reveal the ‘WRPG’ mentioned by the comparison video through its darker and more realistic graphics. As a non-gamer the detail and customisation actually surprised me but in saying that, the specifications confused the hell out of me! People who actually play this game and understand it, I applaud you because I had no idea! This video also shows how RPG’s allow the option for both male and female characters regardless of your real life gender (Ray has chosen a female panda even though the others chose a male) which is the same when dressing up for cosplay in the fact that you can be whoever you choose to be.

Back to the LARP video – I was amazed at the amount of planning and scripting etc that goes into them because before watching this, I honestly thought that they were improvised. The fact that people do this kind of thing on a weekly basis is actually impressive, a further reason why the dedication and passion are so necessary to these gamers life. The strategic and tactical ‘quest’ elements resonate through both the RPG and LARP  worlds, and I feel as though it would be one of the main motivations to playing the games. Completing quests, moving up levels and gaining more skills would be super satisfying and ultimately enhance the bond you have with the character.

Join the Club!

So can you believe that there are people who have never watched Sailor Moon. Crazy, I know! I mean this show was my everything so to learn that there are people who are new to the phenomenon blows my mind.

The YouTube channel SourceFedNERD uses people’s lack of knowledge to their advantage. In fact they have created a whole club dedicated to this. The anime club is a series of videos that record the separate reactions of a person who is a fan of a certain anime and one who has never watched an episode before. The audience is gaining a different kind of perspective through this experience as opposed to watching a regular review.

So Reina is a Sailor Moon fan. You can tell by the excited tone of her voice, the bouncing on the couch, the movement of her hands. William has never watched an episode of Sailor Moon before in his life. His reactions are dull compared to Reina’s although he still looks as happy having watched the rebooted first episode of Sailor Moon Crystal.

The most beautiful part of this experience is watching Reina’s face as William begins to explain the parts he enjoyed the most. It’s almost as though she is saying – I have shown him this, I am the reason he likes this. It’s a proud moment. One that a lot of us will experience. I mean, there has been so many times where I have recommended a TV show or a book to a friend, and sat there waiting for them to tell me everything they loved.

There is nothing more satisfying than having someone enjoy a show you recommended. However it could go pretty sour if they severely disliked it. This style of review is an interesting concept. It would be interesting to see more of this style with books, movies and other various television shows. If only purely for the look of absolute joy on the face of the person who recommended it.


This week I chose to look into the celebrity culture of K-pop, particularly looking into the Korean sensation Hyuna. Kim Hyuna is south Korean rapper, dancer, songwriter and model. She is best known for being part of the k-pop group 4Minute, where her roll is a rapper. It’s almost implied that if you’re going to be famous you must have all social networking accounts, to make sure you are present for your fans. It nearly essential to have a relationship with your fans if you want to make money, as they are the ones buying your products and are the ones allowing you to get endorsements. Being in one of the largest k-pop groups, kim Hyuna has the same implied role, to make sure she is active online so that her fans don’t lose interest.

When researching Hyuna I found out that she has been inactive from twitter for two years, which is weird to see when someone is so popular and isn’t utilising their twitter account. Twitter is one of the most popular platforms for celebrities to connect with their fans. As it is easy to reply to questions and the word limit help saves time as they have to be short and precise. In saying this I have noticed she is very popular on Instagram with over 1 million followers with each photo have thousands of likes and comments.

After researching Hyuna I wanted to compare the difference in social media use with another member out of her band 4minute, I came across Kwon So-Hyun. So-Hyun is very active on twitter she tweets multiple times everyday, another platform she is very active on is Instagram. What I found interesting about So-Hyun is that she has about 100,000 less followers on twitter then Hyuna and about ¼ of the amount of Instagram followers as Hyuna even though she is more active. This made me think that maybe she is more active on twitter to expand her fan base, or maybe her being so active has caused her to lose followers.

Overall I’ve realised that these two stars aren’t as active on social media as they could be, Although they still have a great following of fans and seem to be a very powerful part of the K-pop world.

Japanese Fashion on Instagram


I’m just going to put it out there now and say that I am an avid Instagram user. Usually I cannot go a day without accessing my Instagram account and actually have serious withdrawals when I can not access Instagram throughout the day especially when I am at university as for some reason, my phone at university seems to block the app. (Not happy Jan) While scrolling down my newsfeed on Instagram I am always bombarded with the strange, eccentric and quite amazing street fashion of Japan and always find myself in complete awe of the interesting styles and prints that the light haired Japanese men and women are wearing.

When accessing Japanese fashion on Instagram, I actually found it very easy to find a “tag” that was completely “taken over” by colourful Japanese fashion. Once I had Instagram opened on my phone, I firstly had a quick look at the “Explore” section in the app and as this section often is based on my previous searches, which included fashion and shopping, I was actually quite surprised to find an image of two young Asian men dressed in a smart looking grey suit, a black cap, horn rimmed glasses, a large brown handbag and drinking coffee and all I thought was “Yes, well that was easy.” After finding this I searched a little further into Japanese fashion on Instagram by searching the tags, I decided to be quite obvious and typed in the following searches, #japanesefashion, #japanfashion, #japanesestreetfashion resulting in over 145,647 posts. Quite amazing really for my first initial thought.

Stepping back and analyzing this account, I believe that the key principles from this encounter that might be useful for others to know is the use of hashtags and being on top of the hashtags in order to find relevant Japanese fashion. I think that hashtags are a very important aspect of researching this topic as it conveys to me the accessibility of Japanese fashion online and the ease of access that I could easily found.

In thinking about the “holes” in my general understanding of Japanese fashion, I believe that my understanding of this fashion would be very generalized as my whole understanding is based on the ideas and beliefs of what I have only seen online as well as my own beliefs and thoughts. These would include the idea that Japanese fashion is often very colourful, and very different to the clothing and fashion that we see in Australia and to be completely honest I don’t think I would be that out there to be able to strut my stuff in some typical Japanese fashion. I am looking forward to learning more about the ins and outs of Japanese fashion and actually will mainly be focusing on women’s fashion if this is possible and accessible.

I think that it is important for people not to just generalize Japanese fashion and to always be on top of research rather than just making assumptions.