Author: christiangray73

Conclusions about Auto-ethnography as an Auto-ethnographer

Gray's View

As an “auto-ethnographer” during my participation in BCM320, I must admit I found the greatest challenge to be the limited way in which we emerged ourselves in the “Asian” culture. From my understanding of Ellis’s reading, the success of an auto-ethnography is in part reliant on the in-depth emersion of a person into a new culture. “ethnographers do this by becoming participant observers in the culture—that is, by taking field notes of cultural happenings as well as their part in and others’ engagement with these happening.” (Ellis, 2011) The movies and shows watched in lectures were doorways that both restricted and channeled my experience with these cultures. The limitations during the experience were magnified by my mood and energy each class. When my energy was low, or if I was in a lousy mood, my attention to the movie or show during the lecture decreased. When comparing this to…

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The Guardian, an Auto-ethnographic experience.

Gray's View

My experiences with Chinese Tv shows up until this course? None. My experience with gay themed Chinese Tv shows? None. I love it, new experiences gal-our.

Before getting into it, I would like to give you a bit of context and perspective about how I generally react to, and perceive things that are considered “other” and new. In my biased opinion I am generally a very relaxed fairly open guy. I don’t have strong reactions to new experiences, especially digital experiences. Most people can tell me something about themselves, something they like to do, and I’ll be like; “sweet sounds cool, good for you if you enjoy it”. For example: A friend of mine back in Montreal was an exchange student from France. And while I was still getting to know him, he was telling me about his flight from France to Montreal. Before getting on his flight he decided…

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Wandering Earth, Wondering Asia

In this weeks lecture we viewed “Wandering Earth” (2019, China). A sci-fi post apocalyptic film discussing the earths future due to climate change and the intense and extreme measures we face to save our selves and what is left of our home planet.

However before diving into the film and my reactions to it, I will discuss a term familiar to my classmates and professor, but perhaps unknown to anyone else reading this blog; the Auto-ethnographic research method. As the term implies it is a combination of two forms of writing. The autobiography and ethnography.

In an autobiography one will discuss their own past experiences using hindsight (20-20 vision). As Ellis points out, often autobiographers will write about “”epiphanies”—remembered moments perceived to have significantly impacted the trajectory of a person’s life (BOCHNER & ELLIS, 1992; COUSER, 1997; DENZIN, 1989), times of existential crises that forced a person to attend to and analyze lived experience (ZANER, 2004), and events after which life does not seem quite the same. ”

Ethnography is the study of cultures, their practices, values and beliefs to help ourselves, outsiders and insiders to the culture understand it, according to Ellis. An Ethnographer will immerse him/herself in the culture via ” interview cultural members (BERRY, 2005; Nicholas, 2004), examine members’ ways of speaking and relating (ELLIS, 1986; LINDQUIST, 2002), ……” ” and texts such as books, movies, and photographs (GOODALL, 2006; NEUMANN, 1999; THOMAS, 2010). ” As our budget to send students all over the Asian continent is understandably limited we are doing our best to study the culture by immersing ourselves in new cultural experiences via movie screenings. In doing so we are attempting to stimulate small(or large) ‘epiphanies’. Thoughts that may strike us as new or profound. We assess these thoughts, their origin and implications and in this way we attempt to learn about the culture and our own relation to it.

Now, on to the movie “Wandering Earth” . The movie began with a scene of familiarity. A small family consisting of grandfather, father and son camping at the waters of a lake looking up at the stars. Something I can relate to having grown up in Canada and staring up at the starry night sky. The scene through its intimate and familiar setting helped me develop a quick connection to the characters. The majority of the movie took place 17 years in the future, where the father was in working at the space station, while the son his (adopted) sister, and the grandfather were on earth trying to save the planet by bringing a fuel source to the jets propelling the earth through space.

If am honest and critical of how I felt throughout the majority of the film, I was bored. I was not gripped by the story line. I felt as though the film was jumping around from scene to scene in an abrupt way. I feel that part of this may be due to the language barrier and the (subpar?) subtitles. Perhaps the language used was directed towards Chinese audiences and was not translated with as much focus as may have been possible, at times the speech felt disjointed and out of time. In contrast our Professor mentioned the importance and intense attention to detail in ensuring every nuance was correct in translating kung fu panda for Chinese audiences. Perhaps the lack of intention to share this movie with a ‘Western’ audience is highlighted here in the lack of attention to a detailed translation. This may also be supported by the fact although Netflix carries the film, they do not advertise it as much as it perhaps should be according to the Hugo Award it has received. However another reason could simply be my lack of interest in Sci-fi movies, although I did enjoy movies such as “Interstellar”, I am not sure what this means, but you can decide for yourself.

Lastly I would like to briefly discuss my attention to the humour in the film. I noticed that the comedy seemed to be ‘simple’. Small acts of an overtly obvious wrong doing on behalf of one of the characters, such as when a character threw up into his own helmet and then tried throwing up into some one else’s. I am not sure if more complex jokes are not used or are literally lost in translation. However I still found myself and many of my classmates laughing during these scenes, clearly they are doing what they are supposed to.

Digital Asia: The Lens and First Impressions

As I entered the classroom to begin BCM Digital Asia I realized how far removed I was from any course I had previously taken. I am a Finance Major coming from Montreal Canada and currently exchange at UOW. The majority of the courses that I have taken are geared towards the learning and understanding of facts and formulas which are set in stone. Then using what we learn to critically analyze specified situations, where only one correct answer exists. I believe that Digital Asia will offer me a new lens through which I will be allowed to learn and study for the first time. The opportunity to react to course material and base my response/work on my impressions is unprecedented. I am excited to use a mindset and work ethic of open-ended understanding/analysis for the first time.

A little more about me, I am Canadian and German, and speak German fluently as well. I have lived and worked in Germany for a year, and managed a bar on a lake in the summers during my university degree in Montreal. I grew up playing Ice hockey and any other sport I could get my hands on, and since November have become an avid climber. Over the last 6 months, rock climbing has been one of my top priorities. Onto the course; My experience with any part of Asia is very limited outside of my interactions with first second and third generation “Asian’s” in Toronto where I was raised.

Before the movie started I felt I was pretty open without too many expectations. Having said that I am sure that I had underlying assumptions about what to expect, one of which was the notion that many Asian movies tend to have a monster which sends everyone running. I believe this idea comes from Godzilla. Although “The Host” did have a giant monster this is not a trend I expect to continue.

The first difference I noticed was the opening shot where the company which produced the movie was advertised, simply because I did not recognize it. As the movie progressed I was never shocked or affronted, rather there would be small differences which would catch me off guard. I did realize that the stereotype that all asians (Chinese, Japanese etc..) are disciplined and hard workers was more ingrained in me than expected. This realization came when I was mildly surprised at the relaxed and goofy nature of the main character. I believe that the breaking down of this stereotype made me feel that these people and their culture are more relatable. Throughout the movie the small stabs at humour stood out strongly to me as they contrasted against the general serious nature of the film. However I felt that the comedic aspect was done very well. It never took away from the tone of the film but still brought a chuckle out of me and some of the other students.

The last thing that the film made me think of, is the relationship between the people and the state. Based off of my knowledge of Asia through conversation and media I have the impression that the Governments involvement in creating order, structure and discipline for its citizens is higher than western countries. Based off this assumption I believe the arts in Asian countries would be one of the avenues through which the people can express their feelings towards the control of the state. “The Host” made it clear that there was a lack of trust in the state and showed its overarching control and power. I am excited to look for representations of this idea in other movies, that the artists use film to express the control of the state and lack of autonomy and freedom for its citizens. However will also keep in mind that by looking for this relationship between the people and the state I will be biased towards it, and therefore may try to watch a few western movies and see if a similar relationship is explored and to the same degree.

Over all I can honestly say I enjoyed the movie.