The film screened this week in BCM320 digital Asia was Akira, a Japanese anime film released in 1988 and directed by Katsuhiro Otomo. Set in 2019, a motorcycle gang in a post-apocalyptic world struggle to protect themselves from the infectious evil of both civilians and political authority in Tokyo.
This was my first real exposure to anime. It was very different from the usual western cartoons I am familiar with. I associate these colourful moving pictures with my childhood and innocence, but Akira definitely challenged my views. It was a much more mature film regarding its underlying messages in comparison to the Western culture cartoons I have consumed.
Live-tweeting this tutorial sparked more interesting conversations than the previous week. The film’s plot I feel brought scary realities into play. The depictions of a furious, corrupt, power-driven world can definitely be seen amongst certain hierarchies in society.
For me, a futuristic film focused on the elements of such mature themes such as political power and violence rather than new technological inventions was very refreshing. The friendship between Kaneda and Tetsuo is something I think should be viewed by everyone. Akira is definitely a film ahead of its time with its continuing relevance throughout decades past with a strong focus on personal and authoritarian relationships. Scenes felt so raw and real at times. Even though the blood was animated, and the sound effects created by production the violence still made me sick. I found this very weird as I have watched many films in my life so far that has included extreme violence and it did not make this big of an impact.
Through background research of the film and information shared on the Twitter hashtag, I was surprised to see how often Akira has been used as inspiration for many people in their creative works, in particular, Kanye West. Relating to the setting of the film, it was quite intriguing to also find out this now 30-year-old film almost predicted the future with its mention of Tokyo hosting the 2019 Olympics when they are in fact hosting the 2020 Olympics.
“Autoethnography is an approach to research and writing that seeks to describe and systematically analyse personal experience in order to understand cultural experience” (Ellis, 2004, Holman Jones, 2005)
My understanding of autoethnographic methodology is that an individual is giving a recount of a past experience assisted by secondary research regarding the subject of discussion. Ellis et al (2011) communicate the practice of ethnography as culturally conducted studies that have a purpose to educate those unaware or in need of assistance to understand particular a culture and its elements.
Some of the methods of research commonly used when conducting a study are journal articles, interviews and photographs. To be considered as valuable in an autoethnographic study, sources go through a process of analysation. Ellis et al emphasise the need to comparing and contrasting personal experience against existing research. They also state the importance to produce a product that demonstrates reliability through fieldwork, aims to reduce generalisability and heighten validity of their study.
I believe autoethnography is crucial to progression within the world due to its deep cultural exploration. The ability to make something familiar to one’s unaware or even ignorant self has the ability to create a chain of education and the passing of information.