Earlier this month I wrote an autoethnographic account of my experience watching the original 1954 Japanese film ‘Gojira’. My account included several themes that I peeked my curiosity during the initial viewing, and since watching the film I have spent some time researching Gojira in an attempt to better understand my observations.
My initial observation was the antiquated cinematographic techniques on display. This observation was hardly surprising given the film was released in 1954, at a time when colour movies had been invented, but were not yet mainstream.
My second and perhaps more interesting observation was the apparent nuclear paranoia on display in the film. I detailed this observation in my previous post by stating the following: “I found the repeated references to nuclear energy surprising given the film was produced less than a decade after the nuclear attacks on Hiroshima and Nagasaki during world war two, in 1945. Gojira’s…
View original post 476 more words