State of Play- The tool of tourism

As mentioned in week 2 of blogging, Autoethnography is a self reflective documentation of experiencing a culture (in this case) other than your own in order to understand that culture in your own individual way. This is done with an honest opinion while drawing on elements from the culture and narrating them. Some even describe it as analysing epiphanies or a ‘stream of consciousness.’

Analysing the documentary, state of play ,as discussed in blog post two, I will focus on three specific concepts that I experienced during my viewing of this South Korean documentary.

Korean food, was not in short supply during this documentary, with a lot of the central celebrations surrounded by food and family. This is interesting to view however after I read that during the beginning of 1995, there was a crisis in food shortages all around North Korea. This could describe the feeling of food worship, as well as the idea of using it as a celebration when the gamers came home. A blog post by Nick Rose who experienced the food in South Korea stated ‘I think they believe that people will spread the word that North Korea is a prosperous society, where people are happy.’ With this being said, small samples of food are often served, so people can enjoy an array of dishes. The portrayal of the food within this documentary, could be used as a marketing tool, to sell South Korea to the viewers.

The film was very confusing for me due to never even hearing of E-sports culture before, that’s why when characters started to compare the culture of E-sports with soccer, I understood the basic concepts such as, winning, losing, rivalry and patience. This created a universal understanding, reaching out to those in different cultures. There’s even a specific website that can help you compare sports you like, so you can pick an e-sport game that best reflects the sport you are familiar with. Here is an example of a Autoethnographic experience regarding Korean music through a American experience. The way E-sport was portrayed during the film felt as though South Korean culture as a whole was very welcoming, drawing on westernised elements, in order to make every culture feel welcomed and accepted even in a culture that is extremely traditional. Again could this be another tourism concept?

The coherent universal story of father and son relationships, as well as most relationships within the film, seemed to be constructed in a westernised way. It was very easy to follow along due to the multi-layered elements which were easily relatable. I mean, I think every teenager has been asked by their dad ‘what are you doing with your life?’, as well as preparing you for failure in the nicest way possible. I took to google to understand the Korean Family dynamics, and was quite surprised. I think what effected me the most was I thought parents were supposed to be clingy and want to know what you are up to, similar to the Korean dynamics, but I based this on my family interactions and the way I was brought up rather than a culture as a whole which may experience family differently.

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